I take the environmental concerns around AI seriously. I grew up in the Canadian Rockies and spend the vast majority of my free time seeking out adventure in remote wilderness areas. Data centers consume enormous amounts of electricity and water, and artists should not dismiss that. But it is also important to distinguish between individual critical art practice and the much larger industrial uses of AI by corporations, banks, retailers, advertisers, cloud providers, and technology companies. The burden of AI resource consumption is structurally concentrated among companies that build, train, deploy, and monetize these systems at scale. The environmental problem is not primarily caused by individual artists experimenting with AI images; it is driven by the massive commercial buildout of AI infrastructure. My occasional use of AI is not an endorsement of that system, but a way to critically examine the image culture that we are already immersed in.