I am an artist whose practice spans photography, video, writing, and expanded image forms. My work is grounded in the idea that images do more than merely depict the world; they actively shape perception, organize emotion, and influence our understanding of truth, memory, and reality. I approach the photograph not solely as a document, but as a philosophical object that mediates between inner and outer worlds, lived experience and representation, and the visible and the unknowable.
Much of my practice investigates the unstable boundary between the conscious and unconscious. I create images that inhabit a space separating recognition and uncertainty, where the familiar becomes unfamiliar and visual experience prompts psychological, ethical, and metaphysical inquiry. Landscape has become central to this exploration. I think of landscape expansively, encompassing geographic, social, political, and psychic dimensions. Through this lens, I examine the relationship between humans and the natural world, as well as the histories, economies, and systems of power that shape it.
Recently, my work has focused on post-photography and machine-mediated imagery. I am interested in how emerging image systems challenge established assumptions about photographic truth, evidence, and referentiality. If photography has traditionally been defined by its physical connection to the world, what are the implications when images are increasingly generated by synthetic, predictive, or computational systems? I regard this transformation not merely as a technological shift, but as an ontological and ethical rupture that is altering how images are produced, disseminated, and how they influence our lives and psyches, both socially and politically.
My art practice navigates the intersection of research and image-making. Writing is integral to my process, and theoretical inquiry often serves as a generative force in the studio. Drawing on continental philosophy, psychoanalysis, and contemporary image theory, I develop projects that investigate how images carry memory, construct meaning, and shape human experience. Simultaneously, I remain committed to the sensuous and intuitive aspects of art-making. I consider the studio a space where critical thought and poetic form converge, allowing visual work to maintain intellectual rigor while preserving ambiguity, atmosphere, and emotional resonance.
I aspire for my work to prompt deeper reflection on the nature of images, their functions, and their influence on our relationship to the world. In an era increasingly defined by technological mediation, I seek to create work that fosters critical engagement with perception, ethics, and the evolving conditions of our lived experiences.