My art practice spans photography, video, writing, and expanded image forms. I approach images not simply as representations, but as active forces that shape how we perceive and understand the world. For me, a photograph is not only a document. It is a philosophical object that moves between lived experience and representation, between what can be seen and what remains unknowable.
Much of my work investigates the unstable boundary between the conscious and unconscious. I am drawn to images that feel recognizable but unsettled, where the familiar begins to shift into something less certain. Landscape has become central to this inquiry, though I understand landscape as more than physical terrain. It is also psychological and political space, shaped by memory, history, and power.
Recently, my work has turned toward post-photography and machine-mediated imagery. I am interested in how emerging image systems challenge older ideas about photographic truth. If photography has often been understood through its physical connection to the world, what changes when images are generated through synthetic or computational systems? I see this shift as more than technological. It alters the status of the image itself and changes how images circulate through culture and affect our lives.
Writing and research are integral to my studio practice. Theoretical inquiry often gives shape to the work, but I remain equally committed to the intuitive and sensuous aspects of making. I think of the studio as a place where critical thought and poetic form meet, allowing the work to hold intellectual weight without losing ambiguity or emotional force.
In an era increasingly defined by technological mediation, I aim to make work that encourages a deeper consideration of images, their power, and the ways they shape our relationship to the world.